I can't stop listening to this. I've been playing it over and over again for weeks. That one climactic note....
It so bewitched me, that I had to look up who the violinist is: it's Hilary Hahn, which explains why it's so good.
I was surprised to learn that Hilary plays a Vuillaume rather than a Stradivarius or Guarneri. I guess whatever the secret is, Vuillaume figured it out too.